Dacael

asylum-art:

Samantha Wall Drawings Portaits Multiracial  of Womens

Portland-based Korean artist Samantha Wall draws perceptive representations of women who exhibit a range of emotions and attitude. Her experience with ‘multi-raciality’ between living in Korea and now the United States inspired her latest drawings, “Indivisible” but it has roots in her previous works. Her simple yet profound drawings are the result of her own experiences and feelings. Emotional desire creates moments of hyper awareness, a characteristic specific to human nature. Wall believes that how we position ourselves in the world directly relates to our bond with others.

asylum-art:

   Millet’s Angelus ..Dali

asylum-art:

   Millet’s Angelus ..Dali

asylum-art:

Ffo art : Strangely Romantic Drawings

This anonymous artist combines textbook science imagery with an Art Nouveau style with to achieve a strangely romantic look at the human form.

thatiswhyimbroke:

More at That Is Why I’m Broke
thatiswhyimbroke:

More at That Is Why I’m Broke
thatiswhyimbroke:

More at That Is Why I’m Broke

yknowforkids:

Happy 86th birthday to Vera Rubin (b. July 23, 1928), a pioneering astronomer who uncovered the galaxy rotation problem. While attempting to explain the galaxy rotation problem, she encountered some of the most firm evidence up to that time of dark matter.

Via American Museum of Natural History.

asylum-art:

Graziano Locatelli

The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.